「沒想到這麼複雜，很像一場八國聯軍的仗要打。」
「對話在進行上有點困難時，往往是最棒的，因為大家會一起向前進。」

舞者應該穿甚麼？舞台應該長甚麼樣子？
東西方美學的差異與交匯，體現在製作中的每一個環節、每一個選擇。
跨國製作《迴》經過三年籌備，一年製作時間，創作團隊横跨美、英、荷、西、港、台六地，齊力跨越語言、文化背景、美學偏好等種種藩籬，打造譚盾的音樂世界。

In Hui, Dance Forum Taipei brings the composer’s world onto the stage with a multinational team across six different regions of the world. When the east and the west meet, every decision means a process of negotiation and communication among artists from very different backgrounds. What should the dancers wear? How should the stage look like? “Difficult conversations” are usually the best, says the director Josh Armstrong. This video documents parts of this process, a journey spanning over 4 years, which reaches Tan Dun’s music beyond language barriers and cultural boundaries.