「許多很現代的東西，我都在傳統文化中找到答案。」
「偶本身是想像出來的東西，它的空間比其他的藝術還大。」

離開家鄉，帶著木偶去流浪，對楊輝來說，偶戲是人類共同的智慧，不屬於任何國家或民族­。一踏步、一擺頭，戲偶的喜怒哀樂隱藏於體型變換之中，看他如何操弄手中戲偶，揉和西­方現代戲劇於中國傳統藝術，發展出獨樹一幟的偶戲美學。


Puppeteer, YEUNG Faï, left his hometown with his puppets. For him, puppet theatre belongs to all, and not exclusively to any nation. 

Puppets calls upon our imagination, allowing more space than other artistic expressions. See how a world is created within his hands, where traditional Chinese puppetry is joined by the modern theatre in the west, and blooms into a puppet theatre that is distinctively his.